Blog
VII Interactive Book Club: “Lines and Lineage” on May 3rd, 2020 at 18:00 CET / 12:00 noon EDT / 9:00am PDT
I’ll be speaking about my latest book, Lines and Lineage, as part of the weekly VII Interactive Book Club. To access this free live event, you can visit the VII Facebook video stream page on May 3rd, 2020 at 18:00 CET / 12:00noon EDT or you can subscribe to the VII mailing list to receive an invitation to the Zoom call.
The book takes aim at America’s collective amnesia of history. The work addresses the missing photographic record of the period when Mexico ruled what we now know as the American West. To visualize the people and places from the remarkable yet unseen Mexican era, I chose to photograph the region with glass plates and a 19th-century wooden camera. Portraits of direct descendants of early inhabitants of the West—mestizo, Afro-Latin, indigenous, Crypto-Jewish—are paired in diptychs with photographs of landscapes along the original border and architecture from the Mexican period. Lines and Lineage also includes historic maps and essays.
This book lifts the pervasive fog of dominant Western mythology and makes us question the role that photographs—both present and missing—have played in shaping the identity of the West. Lines and Lineage was awarded France’s prestigious Roger Pic Prize and was selected as a finalist for the Leica Oskar Barnack Award. The work was profiled by The New York Times, in Photograph Magazine, and in HyperAllergic. It was published as a monograph by Radius Books in autumn 2019.
Leica France “On Air” Artist Talk Video-Conference
Leica France has invited me to give an online Artist Talk on Thursday, 23 April at 18:00 (6:00pm CET). The video-conference presentation and Q&A session will be in French. Sign up details below (en français). En cette période difficile, pendant laquelle le seul moyen de moyen de communication et d’échange n’est que “virtuel”, Leica Camera France vous propose des rendez-vous… read more.
Publication: Paris Under Quarantine video in The New Yorker
The New Yorker featured video that I filmed on the streets of Paris, France in late March 2020 during the COVID-19 lockdown.
Review: Lines and Lineage book in Fisheye Magazine
The French magazine, Fisheye, reviewed and featured my Lines and Lineage book in their February 2020 issue. The web version of the article, written by Michaël Naulin, is copied below in the original French: L’album manquant de l’histoire américaine “Le projet Lines and Lineage de Tomas van Houtryve illustre à travers des portraits de descendants une période méconnue de… read more.
Lines and Lineage selected as 2019 Favorite Photo Book by Renate Aller
Renowned visual artist Renate Aller selected Lines and Lineage as her Favorite Photo Book of 2019. Her endorsement can be found on PHOTO-EYE and is copied below: In his exceptionally beautifully printed book, Lines and Lineage, Tomas van Houtryve recontextualizes and corrects the narratives and mythologies of the Far West as they had been mis-presented in the American awareness… read more.
Photo Walk in Paris Latin Quarter in partnership with Leica France
I’ll be leading a nocturnal Photo Walk in the Saint Germain des Près neighborhood of Paris in partnership with Leica France on Friday, December 13th from 6:30 pm until midnight. The walk is limited to a maximum of eight participants. The full description in French is below: Informations : “Promenade nocturne dans Saint Germain des Près avec Tomas Van Houtryve”… read more.
Review: Lines and Lineage is Photo-Eye’s Book of the Week
PHOTO-EYE has selected Lines and Lineage as their book of week. The review by Arista Slater-Sandoval is copied below: Book of the Week: Selected by Arista Slater-Sandoval Lines and Lineage Photographs by Tomas van HoutryveRadius Books, Santa Fe, USA, 2019. 10×12″ When parents and grandparents share stories with us that have been passed down from generation to generation, it illuminates and… read more.
Lines and Lineage book signing at Paris Photo on Saturday, 9 November
My Lines and Lineage book will be publicly released on Saturday, 9 November, 2019 at the Paris Photo fair. Starting at 2:00 pm, I will be signing books alongside historian Carrie Gibson, who contributed an essay to the book.
Booth SE-02, Radius Books
Paris Photo
Grand Palais
Avenue Winston Churchill
75008 Paris
France
The book takes aim at America’s collective amnesia of history. The work addresses the missing photographic record of the period when Mexico ruled what we now know as the American West. To visualize the people and places from
the remarkable yet unseen Mexican era, I chose to photograph the region with glass plates and a 19th-century wooden camera. Portraits of direct descendants of early inhabitants of the West—mestizo, Afro-Latin, indigenous, Crypto-Jewish—are paired in diptychs with photographs of landscapes along the original border and architecture from the Mexican period. The book also includes historic maps and essays.
You can read the following text excerpts from the book:
• excerpt #1, the Steinbeck epigraph
• excerpt #2, the dark history of California’s Bear Flag
• excerpt #3, Liz Wallace tells of bounties put on the heads of natives
The work was profiled by The New York Times, in Photograph Magazine, and in HyperAllergic.
Published by Radius Books in 2019. 136 pages with duotone photos. All text in Spanish and English. Four covers available. ISBN: 9781942185628
If you are unable to attend the book signing, some signed copies are available for order directly from Radius Books.
Lines and Lineage exhibition at the Photolux Festival in Lucca, Italy
Seventeen prints of Lines and Lineage is on exhibition at the PHOTOLUX FESTIVAL in Lucca, Tuscany from 16 November to 8 December 2019 along with the other finalists of the 2019 Leica Oskar Barnack Award.
Chiesa di Santa Maria Annunziata dei Servi
Piazza dei Servi
Lucca, Tuscany
Italy
Hours: Monday – Friday 15:00 – 19:30 / Saturday and Sunday 10:00 – 19 :30
Lines and Lineage takes aim at America’s collective amnesia of history. The work addresses the missing photographic record of the period when Mexico ruled what we now know as the American West. To visualize the people and places from the remarkable yet unseen Mexican era, I chose to photograph the region with glass plates and a 19th-century wooden camera. Portraits of direct descendants of early inhabitants of the West—mestizo, Afro-Latin, indigenous, Crypto-Jewish—are paired with photographs of landscapes inside the original border and architecture from the Mexican period. Lines and Lineage lifts the pervasive fog of dominant Western mythology and makes us question the role that photographs—both present and missing—have played in shaping the identity of the West. The work will be published as a monograph by Radius Books in Autumn 2019.
Reviews and praise for Lines and Lineage
“…Using a North American map from 1839 (the same year that photography is thought to have made its debut in Europe), Mr. van Houtryve traveled along Mexico’s old northern border to meet families who have lived in the region for centuries.
His equipment in the Instagram age? A 19th-century camera he found in a Paris antique shop. He stocked up on the glass plates and pungent potions needed for the wet-collodion process, a technique invented in 1851. Doing so, Mr. van Houtryve conjures what the West may have looked like in the Mexican era…”
— Simon Romero in The New York Times
“His portraits are carefully researched and historically relevant – all of his subjects are descendants of the area’s original Mexican inhabitants. Quiet and dignified, the images pay tribute to Nadar, whose powerful portraits Van Houtryve admires. He focuses on his subjects’ eyes, conveying a sense of their interior life. He presents the work in diptychs that juxtapose portraits with romantic landscapes, reflecting an intimate connection between humans and nature…”
— Elisabeth Biondi in Photograph Magazine
“…Photographing the descendants of families who live on the once-Mexican territory, Van Houtryve proves their existence within a dominant narrative that often ignores them. Using traditional nineteenth century photographic techniques, like wet plate glass negatives, the artist taps into the aesthetic of the 1800s…”
— Zachary Small in Hyperallergic
Artist interview video






