I personally assist individual collectors and institutional art buyers who are interested in acquiring original photographic works and video installations.
I oversee the making of each limited-edition print myself. Collector gelatin silver prints from my Blue Sky Days and Lines and Lineage series are made exclusively with an analogue enlarger from large-format negatives.
Additional information on shows and collections can be found on my Artsy profile.
Divided, a single-channel video installation has won First Place, Producer’s Choice Award from CENTER. Juror’s Statement: “This work took a very simple concept, a border wall between two countries, and visually infused it with all the complexities of the contemporary American debate. The ‘moving picture’ that tells this story, does so in a leisurely way, but clearly one… read more.
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Ahead of the opening of the Lines and Lineage exhibition at SF Camerawork on May 3rd in San Francisco and a May 4th talk at the Palo Alto Photo Forum, I spoke with Charles Russo of The Six Fifty about how this work takes aim at the “collective amnesia” of U.S. history. Interview copied below: The American West has never been short on… read more.
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Harper’s Magazine features my latest project, Lines and Lineage, as a 12-page spread in the February 2018 issue. A subscription is required to view the entire feature online. The project was realized with a CatchLight Fellowship in partnership with the Pulitzer Center. My introduction text is copied below. We often forget that the boundary between the United States and Mexico… read more.
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In a 40 minute podcast interview with Berta Tilmantaitė of Nanook, I spoke about my motivation and approach for the Blue Sky Days project that is currently on exhibition at Vartai contemporary art gallery in Vilnius, Lithuania. We also discussed the place of social media and photojournalism in our shifting media landscape, and how my Traces of Exile project helps reframe… read more.
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I’m pleased to announce that I’ve been selected for an award from the Hasselblad Foundation. The Hasselblad Foundation has partnered with the Valand Academy for the Drone Vision project and honored five photo-based artists with a research and development award. This award is part of a broader research project, led by Dr Sarah Tuck, exploring the affects and implications of drone… read more.
Posted on by Tomas Van Houtryve
I’m pleased to announced that I have been selected for an inaugural CatchLight Fellowship in partnership with the Pulitzer Center. Below is the official announcement: More than 300 photographers from around the world applied for the first annual CatchLight Fellowship and three have been chosen for their exceptional talent in visual storytelling for social engagement, innovative distribution of photography, creative… read more.
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The International Center of Photography Museum (ICP) has acquired Traces of Exile for their permanent collection. This is the first time the ICP has ever acquired a video installation for their collection, which contains more than 100,000 still photographs spanning the history of photography, from daguerrotypes to digital chromogenic prints. Traces of Exile (2016-2017) is a single-channel 15-minute video installation.… read more.
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Richard B. Woodward, New York art critic for the Wall Street Journal, reviewed the “Perpetual Revolution” group exhibition at the International Center of Photography Museum (ICP), featuring my Traces of Exile video installation. Below is an excerpt from the review: “…The section on refugees opens with a wall of black-and-white photographs by Robert Capa and Chim ( David Seymour )… read more.
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The New Yorker featured Traces of Exile on Jan. 27, 2017. The publication includes six segments from my project which overlays enhanced video landscapes along the migrant trail in Europe with Instagram images that refugees posted to the same place. The text for the feature was written by Nicolas Niarchos and is copied below: “Before the summer of 2015, the island of Lesvos was… read more.
Posted on by Tomas Van Houtryve