Art Collectors
Prints
I personally assist individual collectors and institutional art buyers who are interested in acquiring original photographic works and video installations.
I oversee the making of each limited-edition print myself. Collector gelatin silver prints from my Blue Sky Days and Lines and Lineage series are made exclusively with an analogue enlarger from large-format negatives.
Additional information on shows and collections can be found on my Artsy profile.
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Divided video installation at the Annenberg Center for Photography in Los Angeles
Divided, my 2018 video installation about the Mexico-U.S. border will be on display at the Annenberg Center for Photography as part of the group exhibition WALLS: Defend, Divide, and the Divine from October 5 to December 29, 2019. Annenberg Space for Photography 2000 Avenue of the Stars Los Angeles, CA 90067 USA About Divided Since Baja and Alta California were divided by… read more.
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Lines and Lineage exhibition in Berlin for the Oskar Barnack Awards
Selected as a finalist for the 2019 Leica Oskar Barnack Award, seventeen prints of Lines and Lineage will be exhibited in Berlin with the other finalists from 25 September to 25 October 2019 Neue Schule für Fotografie Brunnenstraße 188-190 10119 Berlin About the work Lines and Lineage takes aim at America’s collective amnesia of history. The work addresses… read more.
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Lines and Lineage exhibition in Paris, Galerie de LaSCAM
Lines and Lineage exhibition for the winners of the Roger Pic Award, from 11 June to 25 October, 2019 Galerie de LaSCAM Société civile des auteurs multimédia 5 avenue Vélasquez 75008 Paris France About the work Lines and Lineage takes aim at America’s collective amnesia of history. The work addresses the missing photographic record of the period when Mexico ruled what… read more.
Current & Upcoming Exhibitions
Featured
Divided video installation wins First Place, Producer’s Choice Award from CENTER
Divided, a single-channel video installation has won First Place, Producer’s Choice Award from CENTER. Juror’s Statement: “This work took a very simple concept, a border wall between two countries, and visually infused it with all the complexities of the contemporary American debate. The ‘moving picture’ that tells this story, does so in a leisurely way, but clearly one… read more.
Interview: Lines and Lineage in The Six Fifty
Ahead of the opening of the Lines and Lineage exhibition at SF Camerawork on May 3rd in San Francisco and a May 4th talk at the Palo Alto Photo Forum, I spoke with Charles Russo of The Six Fifty about how this work takes aim at the “collective amnesia” of U.S. history. Interview copied below: The American West has never been short on… read more.
Publication: Lines and Lineage in Harper’s Magazine
Harper’s Magazine features my latest project, Lines and Lineage, as a 12-page spread in the February 2018 issue. A subscription is required to view the entire feature online. The project was realized with a CatchLight Fellowship in partnership with the Pulitzer Center. My introduction text is copied below. We often forget that the boundary between the United States and Mexico… read more.
Podcast Interview: Blue Sky Days Solo Show at Vartai Gallery in Vilnius and Thoughts on Social Media and Photography
In a 40 minute podcast interview with Berta Tilmantaitė of Nanook, I spoke about my motivation and approach for the Blue Sky Days project that is currently on exhibition at Vartai contemporary art gallery in Vilnius, Lithuania. We also discussed the place of social media and photojournalism in our shifting media landscape, and how my Traces of Exile project helps reframe… read more.
Hasselblad Foundation Research and Development Award
I’m pleased to announce that I’ve been selected for an award from the Hasselblad Foundation. The Hasselblad Foundation has partnered with the Valand Academy for the Drone Vision project and honored five photo-based artists with a research and development award. This award is part of a broader research project, led by Dr Sarah Tuck, exploring the affects and implications of drone… read more.
CatchLight Fellowship announcement
I’m pleased to announced that I have been selected for an inaugural CatchLight Fellowship in partnership with the Pulitzer Center. Below is the official announcement: More than 300 photographers from around the world applied for the first annual CatchLight Fellowship and three have been chosen for their exceptional talent in visual storytelling for social engagement, innovative distribution of photography, creative… read more.
The ICP Museum acquires Traces of Exile video installation for their permanent collection
The International Center of Photography Museum (ICP) has acquired Traces of Exile for their permanent collection. This is the first time the ICP has ever acquired a video installation for their collection, which contains more than 100,000 still photographs spanning the history of photography, from daguerrotypes to digital chromogenic prints. Traces of Exile (2016-2017) is a single-channel 15-minute video installation.… read more.
Review: Wall Street Journal, Traces of Exile
Richard B. Woodward, New York art critic for the Wall Street Journal, reviewed the “Perpetual Revolution” group exhibition at the International Center of Photography Museum (ICP), featuring my Traces of Exile video installation. Below is an excerpt from the review: “…The section on refugees opens with a wall of black-and-white photographs by Robert Capa and Chim ( David Seymour )… read more.
Publication: Traces of Exile in The New Yorker
The New Yorker featured Traces of Exile on Jan. 27, 2017. The publication includes six segments from my project which overlays enhanced video landscapes along the migrant trail in Europe with Instagram images that refugees posted to the same place. The text for the feature was written by Nicolas Niarchos and is copied below: “Before the summer of 2015, the island of Lesvos was… read more.