About

Statement

My personal work seeks to render conspicuous and intimate themes which normally elude the mind’s eye. My preferred subjects include aspects of contemporary warfare and activities of the modern State which are notable for their near invisibility, such as drones, electronic surveillance, nuclear testing, and Cold War ideology.

Underpinning my work is the belief that human activity becomes increasingly absurd and dangerous when it looses empathy. I agree with Albert Camus when he said,

“By definition, a government has no conscience. Sometimes it has a policy, but nothing more.”

Photography—with it’s intuitive presumption of veracity—is the common medium of my projects. My background in classical photojournalism informs my ethical values, though I no longer focus on news gathering. Rather, my projects often start with a nagging internal curiosity about an obscure subject, and occasionally I am seized by an obsession to understand, document and reveal that subject to a wider audience.


Biography

300_vmal_b

Internationally recognized as one of the leading photographers of his generation, Tomas van Houtryve documents critical contemporary issues around the world.

Initially a student in philosophy, Tomas discovered his interest for photography while enrolled in an overseas program in Nepal. Upon graduation in 1999 he was hired by the Associated Press and posted to Latin America. He was the first AP photographer to cover the military prison in Guantánamo Bay, Cuba, and in 2002 he traveled to Kandahar to photograph families of the Guantánamo inmates.

Tomas left AP in 2003 to concentrate on large-scale personal projects, starting with the Maoist rebellion in Nepal. The resulting photos of the rebels’ rise to power earned wide recognition including the Visa pour l’Image-Perpignan Young Photographer Award and the Bayeux Prize for War Correspondents.

In 2006 Tomas was named one of PDN’s 30 Emerging Photographers. He was awarded an Alicia Patterson Journalism Fellowship in 2008, and in 2010 he was named the POYi Photographer of the Year.

Tomas’ first monograph book, Behind the Curtains of 21st Century Communism, was published in Spring 2012. The seven-year-long project documents life in the last countries where the Communist Party remains in power: North Korea, Cuba, China, Nepal, Vietnam, Laos and Moldova. The series won the 2012 POYi World Understanding Award.

Solo exhibitions of Tomas’ work have been shown in Paris, New York City, Spain and Italy. Many of his photographs of intense political actions are, paradoxically, distinguished by their intimacy.

Tomas is frequently interviewed on radio and television and has appeared on the BBC, CNN, MSNBC, NPR, ARTE and France 5. He is a member of VII Photo.

    Awards & Distinctions

  • 2013 Getty Images Grant
  • 2012 Pulitzer Center Grant
  • 2012 POYi World Understanding Award
  • 2012 Saint Brieuc Festival Grant
  • 2012 IoS Photography Books of the Year
  • 2012 POYi Best Book Award, Finalist
  • 2011 Leica Oskar Barnack Prize, Finalist
  • 2011 Magnum Foundation Grant
  • 2010 POYi Photographer of the Year, 1st
  • 2008 Hearst Fellow, Univ. of Colorado
  • 2008 Amnesty Human Rights Award
  • 2008 Photographer of the Year, 2nd
  • 2008 POYi Award of Excellence
  • 2008 Alicia Patterson Fellowship
  • 2007 Amnesty Human Rights Award
  • 2007 POYi Award of Excellence
  • 2006 Perpignan Young Photographer
  • 2006 Bayeux War Correspondents Prize
  • 2006 POYi Award of Excellence
  • 2006 Days Japan Jury Prize
  • 2006 PDN's 30

    Clients & Partners

  • National Geographic
  • Harper's Magazine
  • Foreign Policy
  • The Atlantic
  • TIME
  • Smithsonian
  • New York Times Magazine
  • Le Monde
  • Le Figaro Magazine
  • GEO France
  • GEO Germany
  • Marie Claire
  • Médecins Sans Frontières
  • International Rescue Committee